SARAH LOHMANN WRITES — Vera Wong’s days are often uneventful. Despite owning her own business, she finds that her once vibrant neighborhood and community have become monotonous—until a dead man turns up in her teahouse. When the police, however, don’t seem to take it as seriously as she expects, Vera…
SARAH LOHMANN WRITES — K-pop has always been rife with experimentation—throughout music, styling, and choreography. With their debut mini album Assemble, the South Korean girl group TripleS brings a fresh, trendy, Y2K-inspired sound. Making their mark in a saturated and ever-evolving market, they implore listeners to be their authentic selves…
SARAH LOHMANN WRITES — Chunyu’s life flows like water. She fits herself expertly into a shape demanded by her circumstances. In Zhang Ling’s tenth novel, Where Waters Meet (2023), people, especially women, are asked by the often harsh world to take the form of the formless, to fill their allotted…
SARAH LOHMANN WRITES — Music cycles. It flows in conversation with itself over years and decades, returning to similar themes with new twists. In her most recent EP titled space, Indonesian singer-songwriter Rahmania Astrini uses musical themes of the past to tell modern stories of love, interpersonal relationships, and friendship.…
SARAH LOHMANN WRITES — How do we find out who we are? Rikiya Imaizumi’s Call Me Chihiro unfolds the possible answers to this layered question through its unique aesthetics and lack of sound. The film premiered internationally on Netflix on February 23, 2023, and made a special impact on viewers.…
SARAH LOHMANN WRITES — “Who are we to say that we are not enough?” Ena Mori asks this of listeners in “WHITE ROOM,” the tenth track of her sonically stunning LP, DON’T BLAME THE WILD ONE! (2022). The LP flows through an eclectic soundscape with passion-charged lyrics and production. According…
SARAH LOHMANN WRITES — We often like to see the world in black-and-white terms: bad people do bad things. It is rarely so simple in reality, however. Japanese director, Hirokazu Koreeda, explores moral complexity in Broker (2022), showing how our best efforts and intentions can be disrupted by systems that…
SARAH LOHMANN WRITES – “Does it hurt?” When we hear this question, it is often with an urgent or melancholic tone. Korean author Jungeun Hwang frames the question differently when it is asked of thirteen-year-old Nana by her childhood friend Naghi after he strikes her across the cheek. She confirms it does…
