SARAH LOHMANN WRITES — K-pop has always been rife with experimentation—throughout music, styling, and choreography. With their debut mini album Assemble, the South Korean girl group TripleS brings a fresh, trendy, Y2K-inspired sound. Making their mark in a saturated and ever-evolving market, they implore listeners to be their authentic selves…
Full Article MUSIC REVIEW: HOW TRIPLES IS MAKING THEIR MARK ON K-POP
SARAH LOHMANN WRITES — Chunyu’s life flows like water. She fits herself expertly into a shape demanded by her circumstances. In Zhang Ling’s tenth novel, Where Waters Meet (2023), people, especially women, are asked by the often harsh world to take the form of the formless, to fill their allotted…
Full Article BOOK REVIEW: THE TWO LIFEBLOODS IN ZHANG LING’S WHERE WATERS MEET (2023)
SARAH LOHMANN WRITES — Music cycles. It flows in conversation with itself over years and decades, returning to similar themes with new twists. In her most recent EP titled space, Indonesian singer-songwriter Rahmania Astrini uses musical themes of the past to tell modern stories of love, interpersonal relationships, and friendship.…
Full Article MUSIC REVIEW: RAHMANIA ASTRINI AND MAKING SPACE FOR MUSIC—NEW AND OLD
SARAH LOHMANN WRITES — How do we find out who we are? Rikiya Imaizumi’s Call Me Chihiro unfolds the possible answers to this layered question through its unique aesthetics and lack of sound. The film premiered internationally on Netflix on February 23, 2023, and made a special impact on viewers.…
Full Article MOVIE REVIEW: THE POWER OF SILENCE IN CALL ME CHIHIRO (2023)
SARAH LOHMANN WRITES — “Who are we to say that we are not enough?” Ena Mori asks this of listeners in “WHITE ROOM,” the tenth track of her sonically stunning LP, DON’T BLAME THE WILD ONE! (2022). The LP flows through an eclectic soundscape with passion-charged lyrics and production. According…
Full Article MUSIC REVIEW: DON’T BLAME THE WILD ONE (2022) – THE POWER OF THE OUTCAST
SARAH LOHMANN WRITES — We often like to see the world in black-and-white terms: bad people do bad things. It is rarely so simple in reality, however. Japanese director, Hirokazu Koreeda, explores moral complexity in Broker (2022), showing how our best efforts and intentions can be disrupted by systems that…
Full Article MOVIE REVIEW: BROKER (2022) – THE SPIRAL OF HUMAN MORALITY
SARAH LOHMANN WRITES – “Does it hurt?” When we hear this question, it is often with an urgent or melancholic tone. Korean author Jungeun Hwang frames the question differently when it is asked of thirteen-year-old Nana by her childhood friend Naghi after he strikes her across the cheek. She confirms it does…
Full Article BOOK REVIEW: I’LL GO ON (2018) – DAY WILL BREAK BEFORE LONG