SASHA SENGELMANN WRITES – It is no secret that opening up to others may often be a daunting task, for there is no telling whether one’s display of vulnerability will be met with compassion or criticism. Such an idea is apparent in Ao Omae’s People Who Talk to Stuffed Animals…
Category: Arts and Culture
VIETNAM: IS THE NEW BARBIE MOVIE PLAYING POLITICAL GAMES?
NATHANIEL SCHOSSAU WRITES – A scene in Greta Gerwig’s highly anticipated “Barbie” movie, set for release July 21 and starring Margot Robbie and Ryan Gosling, has caused controversy over—of all things!— a territorial dispute in the South China Sea. The reason: Vietnam and China both claim a particular part of…
BOOK REVIEW: VERA WONG’S UNSOLICITED ADVICE FOR MURDERERS (2023) BY JESSE SUTANTO – A WHOLESOME INVESTIGATION OF THE UNCONVENTIONAL
SARAH LOHMANN WRITES — Vera Wong’s days are often uneventful. Despite owning her own business, she finds that her once vibrant neighborhood and community have become monotonous—until a dead man turns up in her teahouse. When the police, however, don’t seem to take it as seriously as she expects, Vera…
JAPAN: RECENT LEGAL REVISIONS ELIMINATE “FORCIBLE” FROM THE DEFINITION OF RAPE
ALI ZANE WRITES – Long criticized for its sex crime laws, Japan has revised the Penal Code, redefining rape as non-consensual sexual intercourse. Previously, rape was classified as forcible sexual intercourse, meaning that the assailant had to have used physical violence to qualify for prosecution. This century-old law has created…
BOOK REVIEW: BEIJING SPRAWL (2023) BY XU ZECHEN — ONE MUST IMAGINE THEIR PEOPLE HAPPY
ANGELINE KEK WRITES — Anyone who has lived to tell the tale can testify: life comes at you fast. The same sun rises daily, marking the start of another predicament to put right and another tight spot to escape. Thrown into the throes of life’s unrelenting torrent, how strange is it…
HAS THE INDIVIDUAL FALLEN?
ARMAAN JHANGIANI writes – Societies with law and order, power and stability, and virtues of morality and love have always been epitomized as the peak of human community and self-restraint. While the beginnings of America would encapsulate this, the industrial rise following America’s success in World War II would introduce…
MUSIC REVIEW: HOW TRIPLES IS MAKING THEIR MARK ON K-POP
SARAH LOHMANN WRITES — K-pop has always been rife with experimentation—throughout music, styling, and choreography. With their debut mini album Assemble, the South Korean girl group TripleS brings a fresh, trendy, Y2K-inspired sound. Making their mark in a saturated and ever-evolving market, they implore listeners to be their authentic selves…
BOOK REVIEW: GREEK LESSONS (2023) BY HAN KANG — A MEDITATION ON SILENCE AND SELFHOOD
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES — What if talking were like reaching into a vast abyss with no hope of a response? That’s how it is for South Korean author Han Kang’s mute protagonist in her latest English language release, Greek Lessons (2023). Kang’s novel, both riveting and entirely…
BOOK REVIEW: THE TWO LIFEBLOODS IN ZHANG LING’S WHERE WATERS MEET (2023)
SARAH LOHMANN WRITES — Chunyu’s life flows like water. She fits herself expertly into a shape demanded by her circumstances. In Zhang Ling’s tenth novel, Where Waters Meet (2023), people, especially women, are asked by the often harsh world to take the form of the formless, to fill their allotted…
BOOK REVIEW: HAPPY STORIES, MOSTLY (2023) BY NORMAN ERIKSON PASARIBU — ALWAYS ALMOST, NEVER QUITE
GABY RUSLI WRITES— To be or not to be happy? That is certainly not the question. The soon-to-be-published in America short story collection Happy Stories, Mostly (2021) expresses an LGBTQ+ person’s limited accessibility to happiness in a world plagued with acute heteronormativity. Happy Stories, Mostly (2023) by Indonesian-born Norman Erikson Pasaribu is a collection…
MUSIC REVIEW: RAHMANIA ASTRINI AND MAKING SPACE FOR MUSIC—NEW AND OLD
SARAH LOHMANN WRITES — Music cycles. It flows in conversation with itself over years and decades, returning to similar themes with new twists. In her most recent EP titled space, Indonesian singer-songwriter Rahmania Astrini uses musical themes of the past to tell modern stories of love, interpersonal relationships, and friendship.…
BOOK REVIEW: SHE IS A HAUNTING (2023) BY TRANG THANH TRAN – A BLEAK HOUSE WITH SPECTRAL VISION
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – There’s nothing quite like finding out your house is very much alive and wants to consume you. Vietnamese American teenager, Jade Nguyen, lands in Vietnam with her younger sister Lily for the heroic purpose of surviving five weeks with her estranged father, with…
MOVIE REVIEW: THE POWER OF SILENCE IN CALL ME CHIHIRO (2023)
SARAH LOHMANN WRITES — How do we find out who we are? Rikiya Imaizumi’s Call Me Chihiro unfolds the possible answers to this layered question through its unique aesthetics and lack of sound. The film premiered internationally on Netflix on February 23, 2023, and made a special impact on viewers.…
BOOK REVIEW: SIREN QUEEN (2022) BY NGHI VO — IN THE LAND OF STARLETS AND MONSTERS
GABY RUSLI WRITES— Do you have what it takes to become the next big thing? If so, would you do anything to have your shot at stardom? Translated into English, Siren Queen (2022) by Nghi Vo chronicles Luli Wei – a girl born and raised in a stereotypical traditional Chinese laundromat family in the pre-Code…
MUSIC REVIEW: DON’T BLAME THE WILD ONE (2022) – THE POWER OF THE OUTCAST
SARAH LOHMANN WRITES — “Who are we to say that we are not enough?” Ena Mori asks this of listeners in “WHITE ROOM,” the tenth track of her sonically stunning LP, DON’T BLAME THE WILD ONE! (2022). The LP flows through an eclectic soundscape with passion-charged lyrics and production. According…
MOVIE REVIEW: BROKER (2022) – THE SPIRAL OF HUMAN MORALITY
SARAH LOHMANN WRITES — We often like to see the world in black-and-white terms: bad people do bad things. It is rarely so simple in reality, however. Japanese director, Hirokazu Koreeda, explores moral complexity in Broker (2022), showing how our best efforts and intentions can be disrupted by systems that…