SARAH LOHMANN WRITES — K-pop has always been rife with experimentation—throughout music, styling, and choreography. With their debut mini album Assemble, the South Korean girl group TripleS brings a fresh, trendy, Y2K-inspired sound. Making their mark in a saturated and ever-evolving market, they implore listeners to be their authentic selves…
Full Article MUSIC REVIEW: HOW TRIPLES IS MAKING THEIR MARK ON K-POPCategory: Arts and Culture
BOOK REVIEW: GREEK LESSONS (2023) BY HAN KANG — A MEDITATION ON SILENCE AND SELFHOOD
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES — What if talking were like reaching into a vast abyss with no hope of a response? That’s how it is for South Korean author Han Kang’s mute protagonist in her latest English language release, Greek Lessons (2023). Kang’s novel, both riveting and entirely…
Full Article BOOK REVIEW: GREEK LESSONS (2023) BY HAN KANG — A MEDITATION ON SILENCE AND SELFHOODBOOK REVIEW: THE TWO LIFEBLOODS IN ZHANG LING’S WHERE WATERS MEET (2023)
SARAH LOHMANN WRITES — Chunyu’s life flows like water. She fits herself expertly into a shape demanded by her circumstances. In Zhang Ling’s tenth novel, Where Waters Meet (2023), people, especially women, are asked by the often harsh world to take the form of the formless, to fill their allotted…
Full Article BOOK REVIEW: THE TWO LIFEBLOODS IN ZHANG LING’S WHERE WATERS MEET (2023)BOOK REVIEW: HAPPY STORIES, MOSTLY (2023) BY NORMAN ERIKSON PASARIBU — ALWAYS ALMOST, NEVER QUITE
GABY RUSLI WRITES— To be or not to be happy? That is certainly not the question. The soon-to-be-published in America short story collection Happy Stories, Mostly (2021) expresses an LGBTQ+ person’s limited accessibility to happiness in a world plagued with acute heteronormativity. Happy Stories, Mostly (2023) by Indonesian-born Norman Erikson Pasaribu is a collection…
Full Article BOOK REVIEW: HAPPY STORIES, MOSTLY (2023) BY NORMAN ERIKSON PASARIBU — ALWAYS ALMOST, NEVER QUITEMUSIC REVIEW: RAHMANIA ASTRINI AND MAKING SPACE FOR MUSIC—NEW AND OLD
SARAH LOHMANN WRITES — Music cycles. It flows in conversation with itself over years and decades, returning to similar themes with new twists. In her most recent EP titled space, Indonesian singer-songwriter Rahmania Astrini uses musical themes of the past to tell modern stories of love, interpersonal relationships, and friendship.…
Full Article MUSIC REVIEW: RAHMANIA ASTRINI AND MAKING SPACE FOR MUSIC—NEW AND OLDBOOK REVIEW: SHE IS A HAUNTING (2023) BY TRANG THANH TRAN – A BLEAK HOUSE WITH SPECTRAL VISION
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – There’s nothing quite like finding out your house is very much alive and wants to consume you. Vietnamese American teenager, Jade Nguyen, lands in Vietnam with her younger sister Lily for the heroic purpose of surviving five weeks with her estranged father, with…
Full Article BOOK REVIEW: SHE IS A HAUNTING (2023) BY TRANG THANH TRAN – A BLEAK HOUSE WITH SPECTRAL VISIONMOVIE REVIEW: THE POWER OF SILENCE IN CALL ME CHIHIRO (2023)
SARAH LOHMANN WRITES — How do we find out who we are? Rikiya Imaizumi’s Call Me Chihiro unfolds the possible answers to this layered question through its unique aesthetics and lack of sound. The film premiered internationally on Netflix on February 23, 2023, and made a special impact on viewers.…
Full Article MOVIE REVIEW: THE POWER OF SILENCE IN CALL ME CHIHIRO (2023)BOOK REVIEW: SIREN QUEEN (2022) BY NGHI VO — IN THE LAND OF STARLETS AND MONSTERS
GABY RUSLI WRITES— Do you have what it takes to become the next big thing? If so, would you do anything to have your shot at stardom? Translated into English, Siren Queen (2022) by Nghi Vo chronicles Luli Wei – a girl born and raised in a stereotypical traditional Chinese laundromat family in the pre-Code…
Full Article BOOK REVIEW: SIREN QUEEN (2022) BY NGHI VO — IN THE LAND OF STARLETS AND MONSTERSMUSIC REVIEW: DON’T BLAME THE WILD ONE (2022) – THE POWER OF THE OUTCAST
SARAH LOHMANN WRITES — “Who are we to say that we are not enough?” Ena Mori asks this of listeners in “WHITE ROOM,” the tenth track of her sonically stunning LP, DON’T BLAME THE WILD ONE! (2022). The LP flows through an eclectic soundscape with passion-charged lyrics and production. According…
Full Article MUSIC REVIEW: DON’T BLAME THE WILD ONE (2022) – THE POWER OF THE OUTCASTMOVIE REVIEW: BROKER (2022) – THE SPIRAL OF HUMAN MORALITY
SARAH LOHMANN WRITES — We often like to see the world in black-and-white terms: bad people do bad things. It is rarely so simple in reality, however. Japanese director, Hirokazu Koreeda, explores moral complexity in Broker (2022), showing how our best efforts and intentions can be disrupted by systems that…
Full Article MOVIE REVIEW: BROKER (2022) – THE SPIRAL OF HUMAN MORALITYBOOK REVIEW: THE SWIMMERS (2022) BY JULIE OTSUKA – NOSE DIVING INTO THE SECRET WORLD OF A COMMUNITY POOL
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER – The first page welcomes us to the pool, a sanctuary from all on-shore troubles. There are no nagging spouses, bills to pay, arrogant bosses, or spiteful children at the pool. The swimmers mind their business and swim away their worries. There are a few…
Full Article BOOK REVIEW: THE SWIMMERS (2022) BY JULIE OTSUKA – NOSE DIVING INTO THE SECRET WORLD OF A COMMUNITY POOLCHINA-US POLICY: IS THE ‘MOON A BALLOON’?
This column originally appeared on February 8, 2023, in the South China Morning Post. DISTINGUISHED SCHOLAR TOM PLATE WRITES – Hot air propels not just balloons. Embattled President Joseph Biden and his battle-prone Washington – the American capital more divided, presumably, than that of Chairman Xi Jinping’s Beijing – clashed…
Full Article CHINA-US POLICY: IS THE ‘MOON A BALLOON’?BOOK REVIEW: PORTRAIT OF A THIEF (2022) BY GRACE D. LI – A HEIST OF THE HEART
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – A Harvard senior obsessed with the beautiful, Will Chen is the perfect Chinese son: hardworking, handsome, and respectful. Except when he is offered an illegal job by a mysterious wealthy Chinese benefactor to steal back art pieces from heavily guarded Western museums that…
Full Article BOOK REVIEW: PORTRAIT OF A THIEF (2022) BY GRACE D. LI – A HEIST OF THE HEARTBOOK REVIEW: LIKE A SOLID TO A SHADOW (2022) BY JANICE LOBO SAPIGAO — GETTING TO KNOW THE DEAD
ANGELINE KEK WRITES — One of the scariest moments of a child’s life takes shape with the realization that our parents are mortal beings no further from death than a wilting flower or a gray-whiskered cat. They have no friendly contract with the grim reaper. With the fleeting time, we…
Full Article BOOK REVIEW: LIKE A SOLID TO A SHADOW (2022) BY JANICE LOBO SAPIGAO — GETTING TO KNOW THE DEADBOOK REVIEW: THE INTERPRETER’S DAUGHTER (2022) — A FAMILY’S STORY OF FILIAL DUTY, FEMINIST PRINCIPLES, AND ENDLESS ENDURANCE
GABY RUSLI WRITES — In our unremarkable and mundane daily routines, we often forget that we are all the living instigators of history. Singaporean-born Fanny Law has always been aware of this profound and undeniable truth. Though she was dutiful in upholding the Confucian cultural practices carried across international waters from…
Full Article BOOK REVIEW: THE INTERPRETER’S DAUGHTER (2022) — A FAMILY’S STORY OF FILIAL DUTY, FEMINIST PRINCIPLES, AND ENDLESS ENDURANCEMOVIE REVIEW: THE MANY COLORS OF YOUTH IN 20TH CENTURY GIRL (2022) – GROWING PAINS
SARAH LOHMANN WRITES – Romance and coming-of-age stories are comforting for many. Their familiar storylines are a space for viewers to revisit the excitements and struggles of youth with a healthy degree of separation, a safety cushion. For this reason, such films can risk being devoid of complexity. However, Korean…
Full Article MOVIE REVIEW: THE MANY COLORS OF YOUTH IN 20TH CENTURY GIRL (2022) – GROWING PAINS