Search Results for: Ella Kelleher
VIETNAM: IS THE NEW BARBIE MOVIE PLAYING POLITICAL GAMES?
NATHANIEL SCHOSSAU WRITES – A scene in Greta Gerwig’s highly anticipated “Barbie” movie, set for release July 21 and starring Margot Robbie and Ryan Gosling, has caused controversy over—of all things!— a territorial dispute in the South China Sea. The reason: Vietnam and China both claim a particular part of…
BOOK REVIEW: VERA WONG’S UNSOLICITED ADVICE FOR MURDERERS (2023) BY JESSE SUTANTO – A WHOLESOME INVESTIGATION OF THE UNCONVENTIONAL
SARAH LOHMANN WRITES — Vera Wong’s days are often uneventful. Despite owning her own business, she finds that her once vibrant neighborhood and community have become monotonous—until a dead man turns up in her teahouse. When the police, however, don’t seem to take it as seriously as she expects, Vera…
JAPAN: RECENT LEGAL REVISIONS ELIMINATE “FORCIBLE” FROM THE DEFINITION OF RAPE
ALI ZANE WRITES – Long criticized for its sex crime laws, Japan has revised the Penal Code, redefining rape as non-consensual sexual intercourse. Previously, rape was classified as forcible sexual intercourse, meaning that the assailant had to have used physical violence to qualify for prosecution. This century-old law has created…
BOOK REVIEW: BEIJING SPRAWL (2023) BY XU ZECHEN — ONE MUST IMAGINE THEIR PEOPLE HAPPY
MUSIC REVIEW: HOW TRIPLES IS MAKING THEIR MARK ON K-POP
SARAH LOHMANN WRITES — K-pop has always been rife with experimentation—throughout music, styling, and choreography. With their debut mini album Assemble, the South Korean girl group TripleS brings a fresh, trendy, Y2K-inspired sound. Making their mark in a saturated and ever-evolving market, they implore listeners to be their authentic selves…
BOOK REVIEW: GREEK LESSONS (2023) BY HAN KANG — A MEDITATION ON SILENCE AND SELFHOOD
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES — What if talking were like reaching into a vast abyss with no hope of a response? That’s how it is for South Korean author Han Kang’s mute protagonist in her latest English language release, Greek Lessons (2023). Kang’s novel, both riveting and entirely…
BOOK REVIEW: THE TWO LIFEBLOODS IN ZHANG LING’S WHERE WATERS MEET (2023)
BOOK REVIEW: HAPPY STORIES, MOSTLY (2023) BY NORMAN ERIKSON PASARIBU — ALWAYS ALMOST, NEVER QUITE
GABY RUSLI WRITES— To be or not to be happy? That is certainly not the question. The soon-to-be-published in America short story collection Happy Stories, Mostly (2021) expresses an LGBTQ+ person’s limited accessibility to happiness in a world plagued with acute heteronormativity. Happy Stories, Mostly (2023) by Indonesian-born Norman Erikson Pasaribu is a collection…
MUSIC REVIEW: RAHMANIA ASTRINI AND MAKING SPACE FOR MUSIC—NEW AND OLD
SARAH LOHMANN WRITES — Music cycles. It flows in conversation with itself over years and decades, returning to similar themes with new twists. In her most recent EP titled space, Indonesian singer-songwriter Rahmania Astrini uses musical themes of the past to tell modern stories of love, interpersonal relationships, and friendship.…
BOOK REVIEW: SHE IS A HAUNTING (2023) BY TRANG THANH TRAN – A BLEAK HOUSE WITH SPECTRAL VISION
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – There’s nothing quite like finding out your house is very much alive and wants to consume you. Vietnamese American teenager, Jade Nguyen, lands in Vietnam with her younger sister Lily for the heroic purpose of surviving five weeks with her estranged father, with…
MOVIE REVIEW: THE POWER OF SILENCE IN CALL ME CHIHIRO (2023)
BOOK REVIEW: SIREN QUEEN (2022) BY NGHI VO — IN THE LAND OF STARLETS AND MONSTERS
GABY RUSLI WRITES— Do you have what it takes to become the next big thing? If so, would you do anything to have your shot at stardom? Translated into English, Siren Queen (2022) by Nghi Vo chronicles Luli Wei – a girl born and raised in a stereotypical traditional Chinese laundromat family in the pre-Code…
BOOK REVIEW: CUSTOMS (2022) BY SOLMAZ SHARIF – LIMBO BETWEEN BORDERS
MUSIC REVIEW: DON’T BLAME THE WILD ONE (2022) – THE POWER OF THE OUTCAST
MOVIE REVIEW: BROKER (2022) – THE SPIRAL OF HUMAN MORALITY
SARAH LOHMANN WRITES — We often like to see the world in black-and-white terms: bad people do bad things. It is rarely so simple in reality, however. Japanese director, Hirokazu Koreeda, explores moral complexity in Broker (2022), showing how our best efforts and intentions can be disrupted by systems that…