PACIFIC PERSPECTIVES: The Big Scoop on Our Print Media Tragedies

Los Angeles – The digital revolution roiling all media in societies plugged into the Internet (North Korea: you may disregard this column) is having a profound effect. Paper from trees has become the stone tablet of our time, not quite as hefty in weight of course but in other respects as cumbersome.

But the effect of the digital revolution is not universally even. Economies that are still rapidly developing will feel it less than those that are more mature. China seems to be launching newspapers or magazines almost weekly. In the U.S. they seem to be folding or changing ownership almost constantly, usually in downward spirals.

Perhaps the digital revolution is in fact hitting hardest here, where the media is accorded a special (indeed Constitutionally-sanctioned) role. The towering importance of the news media in our political system is well known of course – but not often emulated around the world. It’s the rare government that would welcome a media powerful enough to topple it, as The Washington Post helped to do to President Richard Nixon in August 1974.

And so it was not surprising that the sale of the financially troubled Post – the leading newspaper of Washington and one of the leading newspapers of the world – to billionaire Jeff Bezos for a mere $250 million hit many of us Americans hard in the stomach. It was almost as if the Vatican had decided to sell itself to an international resorts corporation for condo redevelopment.

That comparison is only somewhat of an exaggeration. While America’s greatest newspaper is The New York Times, still controlled by the Sulzberger family, which deserves the nation’s gratitude for keeping it great, America’s most politically pugnacious paper has been The Washington Post, whose legendary editor – now “vice president at large” – is 91 but, in a manner of speaking, still kicking.

In fact you should know that I blame Benjamin Bradlee for in effect ruining my life. As a college intern at The Post decades ago, this charismatic and decisive editor filled me with a vision of journalism right out of some windswept romantic novel of good guys fighting bad guys. The result was that I remained a traditional American journalist, in various positions and different institutions, even after it became clear that the future of the media would be overrun by the Bloggers and entertainers and scam artists who know how to best exploit this new technology for profit. How pathetic is it, after all this time, that I am still writing a newspaper column that is intended for publication by participating newspapers. How quaint is that?

But the fact of the matter is my respect for the newspaper medium goes deep: to the way that entire daily package is put together in order to offer us a large picture of the world; and to the overworked and underpaid editors who work diligently to maintain professional quality control. Even a mediocre newspaper is no blog.

But do I think digital media will overtake printed media one day? In the U.S. that is already happening. Twenty years ago the paid circulation of the Los Angeles Times was roughly twice today’s. All over the country newspapers are struggling to remain stable and profitable. Magazine is generally sagging, too: Worthy Newsweek is out of the print business already; Time, while struggling valiantly, is also in trouble.

Only high-end publications and specialty publications will be successful in charging for content online. Some might imaginatively consider expanding their product line; surely the acquiring Bezos will try a different, more expansive approach with The Post.

The transition to digital is invariably difficult.  The New York Times is having success just offering a digital version of itself, but then again that is some self! Its management did not, after all, decimate its foreign-correspondent network and scissor out strings of editorial pearls, as, for example, has the fast-sinking Los Angeles Times. What genius that took!

The best strategy for a publication with a fan base whose loyalty is based on the quality of the product is to not reduce product-quality with serial staff reductions and colossal editorial downgrades.  A good example of the proper strategy was that of NewsCorp. with The Wall Street Journal, a newspaper that is in better shape now than when the Bancroft family sold it to the Murdochs in 2007. Cutting back on a publication’s capacity for greatness is simply a slow march to the grave. Online alone, the WSJ has nearly 900,00 paid digital subscriptions. Why? Its editors make us think we cannot afford to miss it.

My trip to China last month was, I must say, an eye-opener.  It is true that the editors and journalists are as scared to death by the digital revolution as any of us here in the U.S. But there is a difference.  For starters, China’s economy, though slowing, continues to expand like a tremendous machine, with the result that an increasingly assertive and moneyed middle class is demanding choice and variety (and a measure of relevance) in its journalism, as in virtually everything else except political parties.

The other good thing is that journalism as a profession – as a worthy activity, something that one might do for a lifetime – is a plausible option for a young university graduate. Indeed, China’s journalism schools are flooded with applications, and are trying to accept as many students as they can.  How can this be bad?

In China the media do not play nearly the same independent political role as in America, of course.  Even so, it was nice to observe one place that isn’t as forlorn with stop-the-press pessimism as here these days.


This column has also been published in CHINA DAILY (Beijing):

And in THE JAPAN TIMES (Tokyo):

And in the Khaleej Times (Dubai):







Tom Plate, who teaches Asia media and politics at Loyola Marymount University, has worked at The Washington Post, as an intern reporter; at TIME Magazine, as an editor, and at New York Newsday and The Los Angeles Times, as editor of the editorial pages. © Pacific Perspectives Media Network in Beverly Hills.


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