JAPAN: ‘THE VOICE OF THE ASIAN CENTURY’ GETS A TUNE-UP

LIAM ROGERS WRITES — On September 29th, Nikkei Asian Review announced its rebranding to Nikkei Asia. Despite a few changes, the integrity of its journalistic reporting remains intact. The rebranding, founded upon The Nikkei’s acquisition of the Financial Times (FT) in 2015, will incorporate several aspects of business that were used in the business model of…

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KOREA: ARE WOMEN’S RIGHTS, NORTH AND SOUTH, AN OPEN BOOK ON THE LITERARY LANDSCAPE?

ANDREA PLATE WRITES  — This year, the best-selling North Korean novel Friend was translated into English and approved for publication in the US by the Democratic People’s Republic of North Korea – a first in that nation’s history. Immanuel Kim, 42, professor of Korean Literature and Culture Studies at George…

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CORONAVIRUS CHRONICLES: I’LL HAVE A PLATE OF NOSTALGIA WITH A DASH OF DIALOGUE WITH THE MOON

JOSEPH LITTAUA WRITES – Quarantine has given me the opportunity to analyze how internet culture has changed this year. From the Zoomers’ (Gen Z’s unofficial nickname) rapid and constantly changing sense of humor and memes to new trends from the most seemingly random of songs, some social media trends come…

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SOUTH KOREAN CINEMA: ‘PARASITE’ THRIVES IN AMERICA DESPITE XENOPHOBIA

LILLY WEBBER WRITES – After sweeping the Oscars and finishing the night with four different awards, including Best Picture, the South Korean dark comedy thriller film Parasite by director Bong Joon-ho has surprised international audiences and film connoisseurs alike with its success. Parasite’s victory is unprecedented in the Oscars’ history…

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