BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – Want a personal list of the top ten best Asian novels and novellas that were either published in translation or English-authored by Asian-American writers? Look no further! And if you’d like to view our inaugural MiniMag: A Review of Asian Fiction, click here!…
Tag: Ella Kelleher
BOOK REVIEW: FISH SWIMMING IN DAPPLED SUNLIGHT (2022) BY RIKU ONDA – WHO IS THE KILLER?
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – Japanese suspense author, Riku Onda, presents us with a psychological thriller that spans the course of a single night. A man and woman decide to spend one final evening together in their shared Tokyo apartment before going their separate ways. Over the course…
BOOK REVIEW: I’LL GO ON (2018) – DAY WILL BREAK BEFORE LONG
SARAH LOHMANN WRITES – “Does it hurt?” When we hear this question, it is often with an urgent or melancholic tone. Korean author Jungeun Hwang frames the question differently when it is asked of thirteen-year-old Nana by her childhood friend Naghi after he strikes her across the cheek. She confirms it does…
BOOK REVIEW: PEOPLE FROM MY NEIGHBORHOOD (2020) BY HIROMI KAWAKAMI – DO YOU REALLY KNOW YOUR NEIGHBORS?
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – Hiromi Kawakami’s collection of vignettes titled People From My Neighborhood (2020), recently published into English, details the individuals of her neighborhood in a brilliant piece of bite-sized fiction. In 120 pages, the reader is plunged into a lifetime of drama, secrets, and otherworldly quirkiness…
BOOK REVIEW: THE PLOTTERS (2018) BY KIM UN-SU – WHO PULLS THE TRIGGER FOR POLITICANS?
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – Government corruption. Political scandals. Contract killers. Disappearances. Set in contemporary Seoul, South Korea, the world within Kim Un-Su’s novel, The Plotters (2018), focuses on the deaths of random political figures as well as who is pulling the trigger. The shadowy figures responsible for…
VIDEO: AMI BOOK REVIEW SECTION INTERVIEW PT. 1
ASIA MEDIA INTERNATIONAL PRESENTS – a three-part series on our successful Book Review Section. Video Anchor Janelynne Galera speaks with our book review editor-in-chief Ella Kelleher for the scoop on all things books. View part one below.
BOOK REVIEW: PAVANE FOR A DEAD PRINCESS (2014) BY PARK MIN-GYU – TO BE “UGLY” IN A WORLD MADE FOR THE BEAUTIFUL
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – Beauty is a weapon. In South Korea, widely known as the plastic surgery capital of the world, one finds themselves needing to be armed to the teeth at all times. “Korea is a place where you can’t leave the house without makeup if…
BOOK REVIEW: FAMILY ROOM (2010) BY LILY YULIANTI FARID — THE MANY FACES OF A FAMILY UNRAVELED
GABY RUSLI WRITES (in an on-going series of reviews of Indonesian classics) — A grandfather who seeks to marry off his granddaughters to his wealthy friends for connections. A young, successful model who suffered the consequences of her early success. A Chinese-Indonesian family was left with the scars and traumas…
BOOK REVIEW: TIME IS A MOTHER (2022) BY OCEAN VUONG – LEARNING TO LIVE WITH DEATH AND ONESELF
ANGELINE KEK WRITES — Within Time is a Mother (2022), Ocean Vuong fashions a world so rich with polarities. No stone is left unturned. Vuong explores relationships in all their capacities: a person and their chosen loves, a person and society, and loving oneself. Following the successes of Night Sky with Exit Wounds (2016) and On Earth…
BOOK REVIEW: ALL THE LOVERS IN THE NIGHT (2022) BY MIEKO KAWAKAMI – THE CONDITION OF THE MODERN WOMAN
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – Like a hamster sprinting on its wheel, going precisely nowhere, thirty-four-year-old freelance copy editor Fuyuko Irie does not question the mundanity of her daily routine. Japanese author Mieko Kawakami’s latest release, All the Lovers in the Night (2022), follows a character with no real friends, no boyfriend,…
ASIA MEDIA INTERNATIONAL’S NEW EXECUTIVE EDITOR
Asia Media International announces the following staff developments: Cristina Pedler, who earlier this month graduated from the Bellarmine College of Liberal Arts at Loyola Marymount University with her baccalaureate degree in International Relations, takes over at the helm of AMI, reporting directly to the founder and president of Asia Media.…
BOOK REVIEW: AT THE EDGE OF THE WOODS (2022) BY MASATSUGU ONO – THE EXISTENTIAL TERROR OF THE MODERN MAN
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – In an unnamed country, a family of three settles into a creaking house at the edge of an ominous forest. The father cannot help but notice that something is quite off about this place. Are the trees coughing? No… laughing? As so many…
BOOK REVIEW: THE COLOR OF THE SKY IS THE SHAPE OF THE HEART (2022) BY CHESIL – A BEAUTIFUL AND HEARTBREAKING COMING-OF-AGE STORY
BOOK REVIEW EDITOR-IN-CHIEF ELLA KELLEHER WRITES – “The sky is about to fall. Where do you go?” To be a child is to imagine a world made of glass. All your romanticized beliefs about your country and its people are contained within one fragile crystal sphere that can fracture at…
BOOK REVIEW: SERGIUS SEEKS BACCHUS BY NORMAN ERIKSON PASARIBU (2019) – THE POWERFUL POEMS OF A QUEER INDONESIAN
GABY RUSLI WRITES (in a series of reviews on Indonesian classics) — Is it not ironic to witness a person of faith advocating for love and understanding yet punishing a man for loving another man? For Indonesian author Norman Erikson Pasaribu, growing up as a gay man of Batak descent (an ethnic group…
BOOK REVIEW: WOMAN RUNNING IN THE MOUNTAINS (2022) BY YŪKO TSUSHIMA – WHAT DOES IT MEAN TO BE A SINGLE PARENT?
BOOK REVIEW EDITOR ELLA KELLEHER WRITES – Society’s rejection of Takiko is not solely because of her sudden pregnancy at the tender age of twenty-one. It is Takiko’s unfettered commitment to herself and her happiness that causes her family and Japanese society to ostracize and condemn her. Takiko’s self-conviction is…
BOOK REVIEW: COME CLEAN (2021) BY JOSHUA NGUYEN — RECLAIMING PURITY
ANGELINE KEK WRITES — When do we learn to live for ourselves and not others? How do we unlearn the adjustments we have been instructed to make to be deserving of genuine love, as if we are not deserving by default? After all, we are the experiences that we have…